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10.12.2017 1 Comments

Paasonen's analysis makes clear the crucial role of media technologies--digital production tools and networked communications in particular--in the forms that porn takes, the resonances it stirs, and the experiences it makes possible. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. Field, and John S. Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings.

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Porn can be accessed for free, anonymously, and in a seemingly endless range of niches, styles, and formats. All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists. Field, and John S. Digital production tools and online networks have dramatically increased the general visibility, accessibility, and diversity of pornography. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years. She links these investigations to considerations of methodology ways of theorizing and analyzing online porn and affect , questions of materiality bodies, technologies, and inscriptions , and the evolution of online pornography. In Carnal Resonance, Susanna Paasonen moves beyond the usual debates over the legal, political, and moral aspects of pornography to address online porn in a media historical framework, investigating its modalities, its affect, and its visceral and disturbing qualities. Paasonen's analysis makes clear the crucial role of media technologies--digital production tools and networked communications in particular--in the forms that porn takes, the resonances it stirs, and the experiences it makes possible. Paasonen dicusses the development of online porn, focusing on the figure of the porn consumer, and considers user-generated content and amateur porn. Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. Countering theorizations of pornography as emotionless, affectless, detached, and cold, Paasonen addresses experiences of porn largely through the notion of affect as gut reactions, intensities of experience, bodily sensations, resonances, and ambiguous feelings. Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. She maps out the modality of online porn as hyperbolic, excessive, stylized, and repetitive, arguing that literal readings of the genre misunderstand its dynamics and appeal. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way. And she analyzes viral videos and extreme and shock pornogaphy, arguing for the centrality of disgust and shame in the affective dynamics of porn.

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